Matthew Paul Olmos
matthew paul olmos is a Mexican-American playwright who focuses on the creation of space for marginalized, underrepresented communities and gives them poetics and theatricality. While his work is always personal, it is aimed at reaching across socio’political boundaries, showing the ridiculous of how separate we are, and illuminating hope for future generations.
He is a three-time Sundance Institute Fellowship/Residency recipient, inaugural Dramatists Guild Foundation Catalyst Fellow, Echo Theater Company Resident Playwright, lifetime Ensemble Studio Theatre member & Sloan Commission recipient, Playwrights’ Center Core Writer and two-time Venturous Playwright Fellowship nominee. Previous Actors’ Theatre of Louisville Humana Festival Commission, Arizona Theatre Company’s National Latine Playwriting Awardee, Baryshnikov Arts Center Resident Artist, Brooklyn Arts Exchange Resident Artist, Center Theatre Group LA Playwright, Drama League nominee, Geffen Playhouse Writers Room, Ingram New Works at Nashville Repertory, two-time INTAR H.P.R.L., a proud Kilroys nominator, New York Theatre Workshop Fellow, Oregon Shakespeare Festival Black Swan Lab, two-time Ojai Playwrights Conference, inaugural Primary Stages Creative Development Grantee and Dorothy Strelsin New American Writers Group, Princess Grace Awardee in Playwriting, Repertorio Español Miranda Family Nuestra Voces Playwriting Awardee.
He spent two years as a Mabou Mines/SUITE Resident Artist being mentored by Ruth Maleczech, was chosen/mentored by Taylor Mac for Cherry Lane’s Mentor Project, and was La MaMa e.t.c.’s Ellen Stewart Emerging Playwright Awardee as selected by Sam Shepard. He recently world premiered his newest play in Steppenwolf’s 23’24 season. His work has been presented nationally and internationally, taught in university, and is published by Concord Theatricals/Samuel French and NoPassport Press. www.matthewpaulolmos.com.
matthew paul olmos is a Mexican-American playwright who focuses on the creation of space for marginalized, underrepresented communities and gives them poetics and theatricality. While his work is always personal, it is aimed at reaching across socio’political boundaries, showing the ridiculous of how separate we are, and illuminating hope for future generations.
He is a three-time Sundance Institute Fellowship/Residency recipient, inaugural Dramatists Guild Foundation Catalyst Fellow, Echo Theater Company Resident Playwright, lifetime Ensemble Studio Theatre member & Sloan Commission recipient, Playwrights’ Center Core Writer and two-time Venturous Playwright Fellowship nominee. Previous Actors’ Theatre of Louisville Humana Festival Commission, Arizona Theatre Company’s National Latine Playwriting Awardee, Baryshnikov Arts Center Resident Artist, Brooklyn Arts Exchange Resident Artist, Center Theatre Group LA Playwright, Drama League nominee, Geffen Playhouse Writers Room, Ingram New Works at Nashville Repertory, two-time INTAR H.P.R.L., a proud Kilroys nominator, New York Theatre Workshop Fellow, Oregon Shakespeare Festival Black Swan Lab, two-time Ojai Playwrights Conference, inaugural Primary Stages Creative Development Grantee and Dorothy Strelsin New American Writers Group, Princess Grace Awardee in Playwriting, Repertorio Español Miranda Family Nuestra Voces Playwriting Awardee.
He spent two years as a Mabou Mines/SUITE Resident Artist being mentored by Ruth Maleczech, was chosen/mentored by Taylor Mac for Cherry Lane’s Mentor Project, and was La MaMa e.t.c.’s Ellen Stewart Emerging Playwright Awardee as selected by Sam Shepard. He recently world premiered his newest play in Steppenwolf’s 23’24 season. His work has been presented nationally and internationally, taught in university, and is published by Concord Theatricals/Samuel French and NoPassport Press. www.matthewpaulolmos.com.