August Wilson's Ma Rainey's Black Bottom

AUGUST WILSON (April 27, 1945-October 2, 2005) authored Gem of the Ocean, Joe Turner’s Come and Gone, Ma Rainey’s Black Bottom, The Piano Lesson, Seven Guitars, Fences, Two Trains Running, Jitney, King Hedley II, and Radio Golf. These works explore the heritage and experience of African-Americans, decade-by-decade, over the course of the twentieth century. His plays have been produced at regional theaters across the country and all over the world, as well as on Broadway. In 2003, Mr. Wilson made his professional stage debut in his one-man show, How I Learned What I Learned. Mr. Wilson’s works garnered many awards including Pulitzer Prizes for Fences (1987); and for The Piano Lesson (1990); a Tony Award for Fences; Great Britain’s Olivier Award for Jitney; as well as eight New York Drama Critics Circle Awards for Ma Rainey’s Black Bottom, Fences, Joe Turner’s Come and Gone, The Piano Lesson, Two Trains Running, Seven Guitars, Jitney, and Radio Golf. Additionally, the cast recording of Ma Rainey’s Black Bottom received a 1985 Grammy Award, and Mr. Wilson received a 1995 Emmy Award nomination for his screenplay adaptation of The Piano Lesson. Mr. Wilson’s early works included the one-act plays The Janitor, Recycle, The Coldest Day of the Year, Malcolm X, The Homecoming and the musical satire Black Bart and the Sacred Hills. Mr. Wilson received many fellowships and awards, including Rockefeller and Guggenheim Fellowships in Playwrighting, the Whiting Writers Award, 2003 Heinz Award, was awarded a 1999 National Humanities Medal by the President of the United States, and received numerous honorary degrees from colleges and universities, as well as the only high school diploma ever issued by the Carnegie Library of Pittsburgh. He was an alumnus of New Dramatists, a member of the American Academy of Arts and Sciences, a 1995 inductee into the American Academy of Arts and Letters, and on October 16, 2005, Broadway renamed the theater located at 245 West 52nd Street – The August Wilson Theatre. Additionally, Mr. Wilson was posthumously inducted into the Theater Hall of Fame in 2007. Mr. Wilson was born and raised in the Hill District of Pittsburgh, Pennsylvania and lived in Seattle, Washington at the time of his death. He is immediately survived by his two daughters, Sakina Ansari and Azula Carmen Wilson, and his wife, costume designer Constanza Romero.

Ruben Santiago-Hudson returns to Two River, where he directed August Wilson’s Ma Rainey’s Black Bottom, Two Trains Running, and Jitney and his own world-premiere play, Your Blues Ain’t Sweet Like Mine. He Broadway production of Jitney won Tony, Drama Desk, Drama League, New York Drama Critics’ Circle, and Outer Critics Circle Awards. He recently directed and performed his Obie Award-winning solo show Lackawanna Blues at the Mark Taper Forum in Los Angeles; his screenplay for the HBO adaptation received the Humanitas Prize, Christopher Award, National Board of Review Honors, and NAACP Image Award, and Emmy, Golden Globe, and Writers Guild of America nominations. Santiago-Hudson made his directorial debut with Gem of the Ocean (McCarter Theatre and American Conservatory Theater). His other recent directing credits include Othello (Delacorte Theater); two world premieres by Dominique Morisseau, Skeleton Crew (Atlantic) and Paradise Blue (Williamstown); Athol Fugard’s My Children! My Africa!, The Piano Lesson, Seven Guitars and The First Breeze of Summer (all for Signature Theatre Company, where he was an Associate Artist 2008-2009); Quiara Alegria Hudes’ The Happiest Song Plays Last (for Second Stage); Things of Dry Hours (New York Theatre Workshop); and Radio Golf (Kennedy Center). Santiago-Hudson made his Broadway acting debut in Jelly’s Last Jam. His performance in Seven Guitars earned him the Tony Award for Best Featured Actor in a Play. His recent theater performances include August Wilson’s How I Learned What I Learned (Signature Theatre), Stick Fly (Broadway), A Winter’s Tale (NYSF), and Gem of the Ocean (Broadway). He was seen on TV in the ABC show Castle as Captain Roy Montgomery for three seasons and most recently on the AMC Drama Low Winter Sun; his other TV credits include: The Family, Billions, Public Morals, The Good Wife, Low Winter Sun, Person of Interest, Forgotten Genius, The West Wing, Law & Order The Red Sneakers, Solomon and Sheba, Rear Window. His film credits include Selma, Their Eyes Were Watching God, American Gangster, Shaft, Devil’s Advocate, and Domestic Disturbance, among many others.  He has been honored with numerous awards, including three Obies, Lucille Lortel, Outer Critics Circle, Dramalogue, Joe A. Calloway Directing Award, Clarence Derwent, and Helen Hayes Awards, the Distinguished Alumni Award from Wayne State University, AUDELCO Awards, a Black Filmmaker’s Award, and an HBO Arts Festival Theater Award. He is the recipient of Honorary Doctorate degrees from both Buffalo State College and Wayne State University. The Ruben Santiago-Hudson Fine Arts Learning Center in Lackawanna, New York was named in his honor.

Charlie Corcoran

KAREN PERRY (Costume Designer) previously designed August Wilson’s King Hedley II, Ma Rainey’s Black Bottom, Jitney, Two Trains Running, Seven Guitars and Radio Golf at Two River, as well as Love in Hate Nation, Oo-Bla-Dee, Lives of Reason, Your Blues Ain’t Sweet Like Mine, Guadalupe in the Guest Room, Third and Trouble in Mind. Her most recent credits include Run-Boy-Run & In Old Age (New York Theatre Workshop), Mothers (Playwrights Realm), Jazz (MTC), Lackawanna Blues with Ruben Santiago-Hudson (Mark Taper Forum), Fun Home (Baltimore Center Stage), Steel Magnolias, Hair, Dreamgirls (DTC), Oklahoma! (Houston Ballet at TUTS) and Cinderella Ballet (Eglevsky Ballet Company). Other credits include Danai Gurira’s Familiar (Woolly Mammoth, Guthrie, Seattle Rep), Cabin in the Sky (Encores!), Pearl Cleage’s Blues for an Alabama Sky (Pasadena Playhouse), John Grisham’s A Time to Kill, dir. Ethan McSweeny (Arena), Crowns, stop. reset, Trinity River Trilogy by Regina Taylor (Goodman, STC, DTC/Arena), The Trip to Bountiful, Walter Mosley’s The Fall of Heaven, dir. Marion McClinton (Cincinnati Playhouse), The Brother/Sister Plays by Tarell McCraney, dirs. Tina Landau and Robert O’Hara (The Public/McCarter), Having Our Say by Emily Mann (McCarter), and Resurrection by Daniel Beaty (Arena). She has designed every play in August Wilson’s American Century Cycle except Fences. Film/TV credits include Gregory Hines Show, Saturday Night Live, and The Brother from Another Planet by director John Sayles. Wine in the Wildness is proudly Karen’s 14th production with TRTC. Currently: Raisin in the Sun @ the Public Theater.

Burke Brown previously designed Two River Theater’s production of Lynn Nottage’s Intimate Apparel, direct by Seret Scott. Recent New York City designs: Imagining the Imaginary Invalid (Mabou Mines), La Celestina (Erratica at the Metropolitan Museum), The Long Shrift, directed by James Franco, Stay and Basilca (Rattlestick) and Lift (Alvin Ailey American Dance). Other designs: Ars Nova, NYSF-Public Theater, Center Stage-Baltimore, Cleveland Playhouse, Asolo Repertory Theatre, Magic Theatre, Cal Shakes, George St. Playhouse, and Playmakers Repertory. International Design: Abbey Theatre (Dublin), Golden Mask Festival (Moscow), Seoul Performing Arts Festival (South Korea), Festival of Two Worlds (Italy), Bayerisches Staatsballett (Germany), and English National Ballet (London). MFA, Yale. Member of Wingspace Theatrical Design. wingspace.com/burke

Robert Kaplowitz has been lucky enough to spend the last 24 years designing sound and composing music, and has been honored with an Obie for Sustained Excellence in Sound Design and a Tony for Fela!.  For Mr. Santiago-Hudson, he designed Your Blues Ain’t Sweet Like Mine and August Wilson’s Two Trains Running here at Two River, as well as Skeleton Crew at the Atlantic and Athol Fugard’s My Children! My Africa! at the Signature Theatre. He lives in Philadelphia, where he’s created work with PlayPenn, Arden, Interact, Wilma, PTC, Lantern, Pig Iron, Elastic, Azuka, and Lucidity Suitcase. In other cities, his work has been heard at The Public, MCC, both Signatures, NYTW, Lincoln Center, The National Theatre of England, The Guthrie, MTC, Playwrights, and basically every 99-seat theater in NYC. His love of his art is exceeded only by his love of his family.

Bill Sims, Jr. is an internationally respected “Master of the Blues.” With the Heritage Blues Orchestra, he was a 2012 Grammy nominee for “And Still I Rise” in the category of Best Blues Album. His recent theater credits include August Wilson’s Two Trains Running and Jitney at Two River and The Piano Lesson at Signature Theatre. Off-Broadway: Lackawanna Blues (Public Theater, Obie Award for Music, 2001), Seven Guitars, The First Breeze of Summer (both Signature), Things of Dry Hours (NYTW). Other theater: Deep Down (INTAR), Gem of the Ocean (McCarter), Crowns (Intiman), Trick the Devil (Freedom Theatre), Moms and Her Ladies (The Producers Club), Polk County (Berkeley Rep). Mr. Sims was the subject of the documentary An American Love Story (PBS) for which he composed many of the songs for the soundtrack. Other film credits: Lackawanna Blues, New York Stories, Miss Ruby’s House, American Gangster, Cadillac Records. His voice can be heard in many TV and radio commercials. His critically acclaimed 1999 CD release Bill Sims (Warner Bros.) demonstrates his knowledge of the many facets of the Blues. Training: Ohio State University. www.heritagebluesorchestra.com

Kenny Rampton joined the Jazz at Lincoln Center Orchestra in 2010. He also leads his own sextet in addition to performing with the Mingus Big Band, The Mingus Orchestra, The Mingus Dynasty, George Gruntz’ Concert Jazz Band, and The Manhattan Jazz Orchestra (under the direction of Dave Matthews). In 2010 Rampton performed with The Scottish National Jazz Orchestra at the Edinburgh International Festival, and was the featured soloist on the Miles Davis/Gil Evans classic version of Porgy and Bess. He toured the world with The Ray Charles Orchestra in 1990 and with the legendary jazz drummer Panama Francis, The Savoy Sultans, and The Jimmy McGriff Quartet, with whom he played for 10 years. As a sideman, Rampton has performed with Mingus Epitaph (under the direction of Gunther Schuller), Bebo Valdez’ Latin Jazz All-Stars, Maria Schneider, the Afro-Latin Jazz Orchestra, Charles Earland, Dr. John, Lionel Hampton, Jon Hendricks, Illinois Jacquet, Geoff Keezer, Christian McBride, and a host of others. Most recently, he was hired as the trumpet voice on Sesame Street. Some of his Broadway credits include Anything Goes, Finian’s Rainbow, The Wiz, Chicago: The Musical, In the Heights, Hair, Young Frankenstein, and The Producers. kennyrampton.com

Erin Hicks grew up in Harlem, NY. She began styling hair as an assistant on The Winter’s Tale at the New York Shakespeare Festival, starring Alfre Woodard, Mandy Patinkin, and Diane Venora. Over the last 20 years she has worked on various Broadway, film and TV shows. This is Erin’s fifth show at Two River, following Guadalupe in the Guest Room and August Wilson’s Seven Guitars, Ma Rainey’s Black Bottom and King Hedley II.

Thomas Schall has served as fight director on over 70 Broadway shows, among them Six Degrees of Separation, Groundhog Day, Jitney, The Present, The Front Page, The Crucible, Blackbird, War Horse, Of Mice and Men, Romeo and Juliet, Death of a Salesman, Venus in Fur, A View from the Bridge. He has worked extensively at Lincoln Center Theater (Disgraced, Blood and Gifts), The Public Theater (Hamlet, King Lear, Mother Courage), MTC (Ruined, Murder Ballad), New York Theatre Workshop (Red Speedo, Othello) and the Met Opera (Nozze di Figaro, Il Trovatore).

Heidi Griffiths has worked for more than 25 years at the Joseph Papp Public Theater in NYC, where she has cast over 200 productions Off-Broadway and at the Delacorte Theater in Central Park, including Shakespeare, new plays, and musicals. On Broadway: The Girl From The North Country; The Inheritance; The Iceman Cometh; Sweat; Shuffle Along; The Crucible, Eclipsed; A Delicate Balance; A Raisin in the Sun; Lucky Guy; Chinglish; The Motherf**ker with the Hat; The Merchant of Venice; Hair; Passing Strange; Caroline, or Change; Take Me Out (Tony Award, Best Play 2003); Topdog/Underdog (Pulitzer Prize, 2002); The Wild Party; Bring in ’Da Noise, Bring in ’Da Funk; On the Town; and The Tempest. She also cast the films The Incredibly True Adventures of Two Girls in Love, MURDER and murder, Saving Face and Ladybird. Radio Golf is her 12th collaboration with Two River Theater.

Two River Theater: Theo, King Hedley II, The Importance of Being Earnest, The Women of Padilla, The Merry Wives of Windsor, Ma Rainey’s Black Bottom, Seven Guitars, Your Blues Ain’t Sweet Like Mine, and The School for Wives. Broadway (as Casting Associate): The Crucible, A View from the Bridge, A Delicate Balance, A Raisin in the Sun, Lucky Guy (Casting Assistant). Additional casting credits include work with Arena Stage, Center Theater Group, The Cherry Lane, Bedlam, Hudson Valley Shakespeare Festival, LAByrinth, New Georges, TheaterWorks Hartford, and The Studio Theatre. Kate is a Casting Director at The Public Theater.

Laura Wilson Previously at TRT: Ma Rainey’s Black Bottom, Seven Guitars, Your Blues Ain’t Sweet Like Mine, Third, No Place to Go. Broadway: Roman Holiday (OOT Tryout), Jitney, All The Way, First Date, A Free Man of Color, The People in the Picture. Off-Broadway: Paradise Blue (Signature Theatre); School Girls; Or, the African Mean Girls Play (MCC); Skeleton Crew (Atlantic Theater Company); Exit Strategy (Primary Stages); The Really Big Once, A Family of Perhaps Three (Target Margin Theater). Regional: Bull Durham (Alliance Theatre); Guys and Dolls (Riverside Theatre); The Three Sisters, The Boys from Syracuse, and Things of Dry Hours (Centerstage, Baltimore); Tom Stoppard’s On the Razzle (Clarence Brown Theatre).