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August Wilson's Radio Golf

JOAN AND ROBERT RECHNITZ THEATER

Directed by Obie Award® winner Brandon J. Dirden

Run Time: 2 hours, plus one 15 minute intermission

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Surprising, suspenseful, and crowd-rousing. The final play in August Wilson’s magnificent century cycle has crackling comedy, engaging snap, and theatrical zest.

THE NEW YORK TIMES

Director Brandon J. Dirden (King Hedley II, Seven Guitars) returns to Two River to direct our sixth production from The American Century Cycle—Radio Golf, the Cycle’s 10th and final play, set in 1997. Real-estate developer Harmond Wilks is determined to become the first black mayor of Pittsburgh, and to revitalize the Hill District. Starbucks, Barnes & Noble and Whole Foods are ready to move in. But one particular house on the development site, at 1839 Wylie Avenue, must be torn down, a casualty of urban blight. And that house belonged to Wilson’s legendary Aunt Ester—forcing Harmond, and the Hill District itself, into a battle between the past and the future.

WATCH

Official Trailer

Artist Interviews

THIS SHOW IS FOR YOU IF…

  • You are committed to experiencing the entirety of August Wilson’s 10-play American Century Cycle.
  • You’re interested in the process of community gentrification: how it starts, and how it may be halted.
  • You’re a political news junkie interested in the story of a young African-American man setting out on his political career.
  • You have ever been torn between what you owe to your past, and what you desire for your future.
  • You enjoy thought-provoking explorations of how to honor cultural legacy and history.
  • You remember how the 1990s shaped much of what America is going through today, or you want to explore it for the first time.

PHOTOS

MEET THE ARTISTS

The Cast

Wayne DeHart

WAYNE DEHART (he/him/his) (ELDER JOSEPH BARLOW) was born in Jonesville, S.C.; his parents’ divorce brought him to Houston, T.X., where he currently resides. He began his theatre journey with J.B. by Archibald MacLeish. DeHart joined Houston’s Ensemble Theatre in 1981 and has been a mainstay at that theater for 38 years, garnering several Best Actor and Best Supporting Actor awards. DeHart has completed eight of August Wilson’s American Century Cycle (having to regretfully forego his role in Gem of the Ocean to appear in a film). DeHart’s film credits include Jason’s Lyric, I Come in Peace, and Once Upon a Time When We Were Colored. He recently completed work on films Bayou Caviar with Cuba Gooding, Jr., Tales From the Hood 2, The Peanut Butter Falcon, Tropical Cop Tales, and Hap & Leonard. DeHart is the primary re-enactment performer at The Buffalo Soldiers National Museum in Houston, T.X. where he has performed The Life of A Buffalo Soldier since 2001. He is a proud father of My  Love T-ATA, a three-time grandfather, and a six-time great-grandfather. About his upcoming role as Elder Joseph Barlow, DeHart said, “I was so excited when Mr. Dirden reached out to me. I wanted to dig up my script and start right away. I am truly grateful and appreciative to Two River Theater for giving me this ‘bucket list’ opportunity.”

Amber Iman

Amber Iman made her Two River Theater debut last season as Luna C in Oo-Bla-Dee. Broadway: Shuffle Along, Soul Doctor. Off-Broadway: A Civil War Christmas, Rent. National Tour: Hamilton (1st National, Peggy Schuyler/Maria Reynolds). Favorite regional credits: Joy in Witness Uganda (The Wallis, LA Ovation Award Winner for Best Featured Actress in a Musical), Cheryl in Stick Fly (Arena Stage, IRNE Award nominee for Best Supporting Actress), Aldonza in Man of La Mancha (Shakespeare Theatre, Helen Hayes Award nomination for Outstanding Actress and Emery Battis Award for Acting Excellence). Howard University Graduate (2016 James Butcher Alumni Award), and proud founding member of the Broadway Advocacy Coalition. Recently, Amber wrote, executive produced, and starred in her first short film, Steve. Her proudest accomplishment to date, Steve has won awards for Best Short, Best Comedy, and Best Actress at multiple film festivals across the country. 

Nathan James

NATHAN JAMES (he/him/his) (STERLING JOHNSON) Nathan is a proud native of Pittsburgh where began his acting career with Kuntu Repertory Theater. He received a BA in Africana Studies from the University of Pittsburgh, and an MFA in Acting from Penn State University.  His one-man play, Growing Pains, has been produced at The August Wilson Center for African American Culture, The United Solo Theater Festival (Theatre Row NYC), and various theaters and festivals around the United States. Nathan is one of seven playwrights of The New Black Fest’s HANDS UP: 7 Playwrights, 7 Testaments (Seven ten-minute plays following the shooting of Mike Brown). Hands Up was featured in American Theatre Magazine, and Nathan’s play, Superiority Fantasy, was chosen as BBC radio’s Play of the Week. In the spring of 2014, he won 1st place at Amateur Night at the Apollo with an original poem. Film/TV credits: Standing Up, Falling Down (Tilted Windmill Productions), Madam Secretary (CBS), Shades of Blue (NBC), Quantico (ABC), The Wire (HBO), Deception (ABC), Blindspot (NBC), Vinyl (HBO), Person of Interest (CBS), The Interestings (Amazon), Blue Bloods (CBS), The Path (Hulu), Pain Within (Sundance Film Festival), Service to Man (STARZ). Off-Broadway: Travisville (Ensemble Studio Theatre), Playing with Fire (Gene Frankel Theatre), Black Angels Over Tuskegee (St. Luke’s Theatre). NYC: Maid’s Door (Billy Holiday Theatre), Armed (The Amoralists Theater), Growing Pains (Billy Holiday Theatre).  Regional: Radio Golf (Two River Theater), Feeding Beatrice (Repertory Theatre of St. Louis), Julius Caesar (Pennsylvania Centre Stage), Work Song (Pittsburgh City Theatre). www.officialnathanjames.com

Carl Hendrick Louis

CARL HENDRICK LOUIS (he/him/his) (HARMOND WILKS) Broadway: 1984, The Cherry Orchard (Roundabout Theatre Company), Off-Broadway: The Emperor Jones (Irish Repertory Theatre), The Tempest (Classical Theatre of Harlem), Little Children Dream of God (Roundabout Theatre Company), The King’s Whore (Walkerspace), In Fields Where They Lay (Hudson Guild Theatre), Marat/Sade (Classical Theatre of Harlem). Regional: Mlima’s Tale (Westport Country Playhouse), Sunset Baby (Kitchen Theatre Company). Film: Fan Girl, Unknown Soldier. Television: Mindhunter. Education: New York University’s Graduate Acting Program and Fordham University’s Theatre Program.

Robbie Williams

ROBBIE WILLIAMS (he/him/his) (ROOSEVELT HICKS) is thrilled to be making his debut at Two River Theater. The Indianapolis native is an NYU Tisch School of the Arts Graduate Acting Program Alum and can be seen on shows such as Orange Is the New Black and CSI: NY. Robbie is grateful to be working with the talented cast and crew of Radio Golf.

The Creatives

Playwright

August Wilson
August Wilson

AUGUST WILSON (PLAYWRIGHT) (April 27, 1945-October 2, 2005) authored Gem of the Ocean, Joe Turner’s Come and Gone, Ma Rainey’s Black Bottom, The Piano Lesson, Seven Guitars, Fences, Two Trains Running, Jitney, King Hedley II, and Radio Golf. These works explore the heritage and experience of African-Americans, decade-by-decade, over the course of the twentieth century. His plays have been produced at regional theaters across the country and all over the world, as well as on Broadway. In 2003, Mr. Wilson made his professional stage debut in his one-man show, How I Learned What I Learned. Mr. Wilson’s works garnered many awards including Pulitzer Prizes for Fences (1987); and for The Piano Lesson (1990); a Tony Award for Fences; Great Britain’s Olivier Award for Jitney; as well as eight New York Drama Critics Circle Awards for Ma Rainey’s Black Bottom, Fences, Joe Turner’s Come and Gone, The Piano Lesson, Two Trains Running, Seven Guitars, Jitney, and Radio Golf. Additionally, the cast recording of Ma Rainey’s Black Bottom received a 1985 Grammy Award, and Mr. Wilson received a 1995 Emmy Award nomination for his screenplay adaptation of The Piano Lesson. Mr. Wilson’s early works included the one-act plays The Janitor, Recycle, The Coldest Day of the Year, Malcolm X, The Homecoming and the musical satire Black Bart and the Sacred Hills. Mr. Wilson received many fellowships and awards, including Rockefeller and Guggenheim Fellowships in Playwrighting, the Whiting Writers Award, 2003 Heinz Award, was awarded a 1999 National Humanities Medal by the President of the United States, and received numerous honorary degrees from colleges and universities, as well as the only high school diploma ever issued by the Carnegie Library of Pittsburgh. He was an alumnus of New Dramatists, a member of the American Academy of Arts and Sciences, a 1995 inductee into the American Academy of Arts and Letters, and on October 16, 2005, Broadway renamed the theater located at 245 West 52nd Street – The August Wilson Theatre. Additionally, Mr. Wilson was posthumously inducted into the Theater Hall of Fame in 2007. Mr. Wilson was born and raised in the Hill District of Pittsburgh, Pennsylvania and lived in Seattle, Washington at the time of his death. He is immediately survived by his two daughters, Sakina Ansari and Azula Carmen Wilson, and his wife, costume designer Constanza Romero. 

Director

Brandon J. Dirden
Brandon J. Dirden

BRANDON J. DIRDEN recently appeared on Broadway starring in the Tony Award winning production of Take Me Out and Skeleton Crew for which he received a Drama Desk nominationHe also appeared on Broadway as Martin Luther King, Jr. in the Tony Award-winning production of All the Way, with Bryan Cranston, as ‘Booster’; the Tony Award winning revival of August Wilson’s Jitney; Clybourne Park; Enron; and Prelude to a Kiss. Off-Broadway, he has appeared in The Piano Lesson, for which he won Obie, Theatre World and AUDELCO awards; The First Breeze of Summer and Day of Absence at Signature Theatre; Detroit ’67 at the Public Theater and Classical Theatre of Harlem; Peter and the Starcatcher at New York Theatre Workshop; and as ‘Brutus’ in TFANA’s production of Julius Caesar. On screen he has appeared in “The Good Wife”, “For Life”, “Evil”, “The Big C”, “Public Morals”, “Manifest”, “The Get Down”, “The Accidental Wolf”, “Blue Bloods, “The Quad”, the FX miniseries “Mrs. America” and four seasons of FX’s “The Americans” as Agent Dennis Aderholt. He has directed numerous plays by Dominique Morisseau and August Wilson and recently Wine in the Wilderness by Alice Childress for Two River Theater. Brandon is an Associate Arts Professor on the faculty of Tisch Grad Acting at NYU; a frequent volunteer at the 52nd Street Project; and a proud member of both Actor’s Equity Association and Fair Wage On Stage.    

Scenic Designer

Ed Haynes
Ed Haynes

Costume Designer

Karen Perry
Karen Perry

Karen Perry: (Costume Design) Two River is one of my favorite theatres and I am so happy to return this season with the artist and staff I love collaborating with so much over 12 season in the past and on The Price. Karen’s 13 seasons of shows she has costume designed at TRT has included Musicals, Dramas, Comedies costume designs, last here with Wine In The Wilderness also directed by Brandon Dirden. Other Recent shows Karen designed include: Rosie Is Red, Everyone else is Blue dir Reggie Douglas @ Cap Rep, Kunene & the King dir Ruben S Hudson @ STC, Death on the Niles dir Hana Sharif @ Arena Stage, Karen Perry has long been considered a master in her profession. Within a three-decade career, Karen has built an incredible body of work on Stage and Screen and has garnered a winning reputation as both a tremendous talent and sheer joy to work with. A native New Yorker, Karen Perry began designing for the stage in the 1980’s. Ms. Perry’s earlier film and stage work include: Karen’s films include The Brother from Another Planet by dir John Sayles, Just Looking dir by Jason Alexander, The Gregory Hines Show on CBS, the celebrated Public Theatre hit musical Bring in Da Noise, Bring in Da Funk. A Raisin in the Sun dir by Robert O’Hara TV costume designs includes NBC’s Saturday Night Live, UPN’s Abby with Sydney Poitier, CBS’s acclaimed original movie One Day In Montgomery: The Rosa Parks Story dir by Julie Dash, and HBO’s Strapped dir by Forrest Whittaker, both of which earned Ms Perry Cable Ace Award nominations. She has designed costumes for Lady Day at Emerson’s Bar & Grill (Syracuse Stage), Destiny of Desire Telanovela Musical (Old Globe), Clyde’s (Berkley Rep & Huntington Theatre), Wine in the Wilderness (Two River Theatre), Personality: The Lloyd Price Musical (People’s Light), and Lackawanna Blues (Broadway & Mark Taper Theatre). In addition, Karen worked as personal stylist for many premier artists including the late, great Gregory Hines for 13 years collaborating with Mr. Hines on numerous projects including films Bleeding Heart directed by Mr Hines, The Tic Code dir by Gary Winick, CBS’s The Gregory Hines Show and Showtime’s original film Bojangles: The Bill “Bojangle” Robinson StoryMs Perry’s theatre design highlights include National Federal Theatre’s Paul Robeson; The Taking of Miss Janie; It Hasn’t Always Been This Way; Three Travelers; Salaam Huey Newton, Salaam; Crumbs for the Table of Joy; A Raisin in the Sun; Dancing on Moonlight; and Breathe, Boom. Her Regional Theatre work includes 6 August Wilson productions:  Gem of the Ocean, The  Piano Lesson, King Hedley II, Radio Golf, Two Trains Running and Seven Guitars. The latter two garnered Ms Perry with both an Audelco Award and The Craig Noel Award of Theatre ExcellenceShe is also the recipient of The National Black Theatre Festival’s Lifetime Achievement Award for Costume Design Excellence in American and Black Stage, Film and Television, The “Woodie” Award and an Audelco Award for Signature Theatre’s production of The First Breeze of Summer. Perry has also received a Norton Award, Lucille Lortel Award, LA Ovations Awards, a CDG Award, an Ace Award, a Hewitt Award, and she is an Emmy nominee. Current productions of Ms. Perry’s include Daniel Beaty’s Resurrection dir by Oz Scott, McCarter Theatre’s production of Tarell McCraney’s The Brother/Sister Trilogy, New York Theatre Workshop’s Things of Dry Hours by Naomi Wallace dir Ruben Santiago Hudson, Ebony Repertoire Theatre’s STEW in Los Angeles dir Jade King Carroll, and Arizona Theatre Company’s Intimate Apparel dir by Oz Scott.  

Lighting Designer

Driscoll Otto
Driscoll Otto

Driscoll Otto (Lighting Design) Previously at TRTC: Your Blues Ain’t Sweet Like Mine, Seven Guitars, Radio Golf. Recently Driscoll designed lighting for a new production of Aida (Opera in the Quarry, Austria) projections for a new production of Turandot (Teatro Petruzzelli, Italy), Lighting for Encores! Production of The Life (re-imagined and directed by Billy Porter)Driscoll’s designs are often seen in NYC and in regional Theatre and Opera. His credits include The Huntington Theatre Company, Utah Opera, The Old Globe Theatre, Opera Omaha, Opera Philadelphia, Dallas Theater Center, Drury Lane Theatre,  Chicago Opera Theatre, Houston Shakespeare Festival, Trinity Repertory Company, Hangar Theatre, Flat Rock Playhouse, Lyric Opera Kansas City. Driscoll also designed  productions of Legally Blonde and Rock of Ages for Norwegian Cruise Lines. Highlights to his resume include projection design for Santa Fe Opera’s production of The Golden Cockerel and The Metropolitan Opera’s production of La Donna Del Lago .He received his MFA from New York University’s Tisch School of the Arts. His work can be seen at www.DriscollOtto.com 

Sound Designer

Kay Richardson
Kay Richardson

Kay Richardson (SOUND DESIGNER) is a two-time Suzi Bass nominated Sound Designer and Audio Engineer. Wine in the Wilderness marks Kay’s return to the Two River family. Regional Theatre designs include: The Hound of the Baskervilles at Alpine Theatre Project in Whitefish, MT, August Wilson’s Radio Golf and King Hedley II at Two River Theatre in Red Bank, NJ, Eclipsed at Synchronicity Theatre, Thurgood at Theatrical Outfit, Between Riverside & Crazy, Smart People, Fetch Clay Make Man and Gut Bucket Blues at Kenny Leon’s True Colors Theatre Company all in Atlanta, GA. Additional design work includes: A Man of No Importance, Spring Awakening, The Colored Museum, A Song for Coretta, and Seven Guitars. Kay has toured in all 50 of the United States and in over 45 countries mixing live sound for musicals and concerts. Currently she is the Sound Supervisor at Princeton University’s Lewis Center for the Arts in Princeton, NJ.

Wigs Designer

Erin Hicks
Erin Hicks

Erin Hicks grew up in Harlem, NY. She began styling hair as an assistant on The Winter’s Tale at the New York Shakespeare Festival, starring Alfre Woodard, Mandy Patinkin, and Diane Venora. Over the last 20 years she has worked on various Broadway, film and TV shows. This is Erin’s fifth show at Two River, following Guadalupe in the Guest Room and August Wilson’s Seven Guitars, Ma Rainey’s Black Bottom and King Hedley II.

Casting

Heidi Griffiths
Heidi Griffiths

Heidi Griffiths has worked for more than 25 years at the Joseph Papp Public Theater in NYC, where she has cast over 200 productions Off-Broadway and at the Delacorte Theater in Central Park, including Shakespeare, new plays, and musicals. On Broadway: The Girl From The North Country; The Inheritance; The Iceman Cometh; Sweat; Shuffle Along; The Crucible, Eclipsed; A Delicate Balance; A Raisin in the Sun; Lucky Guy; Chinglish; The Motherf**ker with the Hat; The Merchant of Venice; Hair; Passing Strange; Caroline, or Change; Take Me Out (Tony Award, Best Play 2003); Topdog/Underdog (Pulitzer Prize, 2002); The Wild Party; Bring in ’Da Noise, Bring in ’Da Funk; On the Town; and The Tempest. She also cast the films The Incredibly True Adventures of Two Girls in Love, MURDER and murder, Saving Face and Ladybird. Radio Golf is her 12th collaboration with Two River Theater.

Casting

Kate Murray
Kate Murray

Two River Theater: TheoKing Hedley IIThe Importance of Being EarnestThe Women of Padilla, The Merry Wives of Windsor, Ma Rainey’s Black Bottom, Seven GuitarsYour Blues Ain’t Sweet Like Mine, and The School for Wives. Broadway (as Casting Associate): The CrucibleA View from the Bridge, A Delicate Balance, A Raisin in the SunLucky Guy (Casting Assistant). Additional casting credits include work with Arena Stage, Center Theater Group, The Cherry Lane, Bedlam, Hudson Valley Shakespeare Festival, LAByrinth, New Georges, TheaterWorks Hartford, and The Studio TheatreKate is a Casting Director at The Public Theater.

Production Stage Manager

Megan Smith
Megan Smith

MEGAN SMITH (she/her/hers)  STAGE MANAGER is thrilled to return to Two River Theater for THE PRICE.  Previous Two River Theater credits include: A Little Shakespeare: The Tempest, The Hombres, Radio Golf, Dancing at Lughnasa and The Bridge of San Luis Rey.  NY credits include: Off-Broadway:  Roundabout Theatre Company, New York Theatre Workshop, The Vineyard Theatre, Signature Theatre, Second Stage, Manhattan Theatre Club.  Regional credits include:  Westport Country Playhouse, Miami New Drama, Long Wharf Theater, Baltimore Center Stage, New York Stage and Film, Bard SummerScape and The Guthrie Theater. 

 

CRITICAL ACCLAIM

The show gives metro area audiences a top reason to attend theatre, to be entertained and enlightened.​

—BROADWAY WORLD

Under [Brandon Dirden’s] sure hand, the tension, humanity and humor of ‘Radio Golf’ coalesce into a gripping whole. The play and playwright could not be better served.

—SCENE ON STAGE

The play pulsates between comedy and searing social critique while its performers craft full, complex characters.

—THE STAR-LEDGER

Brandon Dirden (Director) and Two River have located and are amplifying the show’s great power.

—BROADWAY WORLD

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