Pamela's First Musical

Perry Cavari was born and raised in New Jersey, and now lives with his wife Maria and daughter Emily. His versatility has kept him as one of the top players on the New York music scene. Perry’s Broadway credits include: A Bronx Tale; Something Rotten; Promises, Promises; Big Fish; Bullets Over Broadway; Elf; Leap of Faith; Young Frankenstein ;The Drowsy Chaperone; Fosse; Oklahoma!; The Producers; Victor/Victoria; and Grand Hotel, to name a few. His movie credits include: Hail Caesar, My Week with Marilyn, The Producers, as well as the Chicago movie soundtrack for which he composed and performed “A Tap Dance” which featured Richard Gere. He is currently recording Norm Lewis’s latest CD as well as doing his live performances.

Jeff Dingler (Bass) is a bassist who has worked as a professional both domestically and abroad. He has toured with the Nelson Riddle Orchestra, and has played with numerous jazz artists across the US, Africa, Europe, and Japan. The recent two years Jeff has served as professor of bass and jazz studies at Mekane Yesus University in Addis Ababa, Ethiopia. His most recent album of original compositions, In Transit, has received critical acclaim in the US, Europe, and Africa.

Tessa Dolce is a freelance Multiple Woodwind Specialist based in the New York/ Metropolitan area. Tessa received her MA degree in Multiple Woodwind Performance from Montclair State University in New Jersey. A student of Chad Smith and Harry Searing, Tessa has been a member of the orchestra for the New Jersey State Theater’s Joseph and Spring Lake Theater’s production of The Producers. While at MSU, Tessa was orchestra manager for Greg Dlugos and a pit orchestra member for West Side Story, Carousel, Three Penny Opera, The Producers, Anything Goes, 42nd Street, and Kiss of the Spider Woman. Tessa has been a member of the orchestra for productions presented by Vanguard Theater Company, CAST Theater Productions, GB Productions, and The Old Library Theater in Fair Lawn. She also plays with the Mark Heter Concert Band, George Krauss Concert Band, the Garden State Symphonic Band and Central Jersey Wind Ensemble.

Jeff Kievit (Trumpet) “A career of dreams coming true.” Recordings, tours and live performances with many of music’s most popular groups, from yesterday’s Bee Gees to today’s Panic at the Disco, he has worked with artists ranging from Frank Sinatra, Tony Bennett and Ray Charles to Sting and Lady Gaga. Jeff’s career is as diverse as it gets, from performed as soloist for Handel’s Messiah at Avery Fisher Hall in Lincoln Center, to arranging, producing and recording music for the Super Bowl. That diversity includes performing for concerts, Broadway shows, and many appearances on The Kennedy Center Honors TV show. Other credits include recording CDs, TV themes, movies, and commercials for TV and radio; producing CDs; music supervising for CBS’s The Young and the Restless; and music directing for the legendary jazz great Chuck Mangione and a TV special for Vanessa Williams. Jeff’s been a vital part of the formula for success with numerous Broadway shows and is thrilled to be back under the direction of his longtime friend Greg Dlugos with Pamela’s First Musical.

Michael Mahadeen, a conductor, educator, composer, and performer, can regularly be found on the music teams of various professional, community, and educational theater organizations, and serves on the faculty of several NJ schools/universities.  Recent Broadway/NYC credits include: On the 20th Century (Roundabout), Crazy for You (MCP), The Radio City Christmas Spectacular, Hadestown (NYTW), Sweeney Todd (Barrow), and Show Boat (NY Phil).  Michael has had music performed by the Czech Radio Orchestra, Orlando Philharmonic Orchestra, Colonial Symphony, and is known internationally for his scores to video games in the Wing Commander series.  Additionally, he has orchestrated solo concerts for Jarrod Spector, Kelli Barrett, and Eric Petersen, among others.  A graduate of Montclair State University and recipient of the NJ Distinguished Student Teacher Award, Michael currently studies at the New York Conducting Studio under Dr. Gary Fagin. His music is published by Bandworks Publications.

Ian Miller is a music director, pianist, singer and composer originally from St. Louis, MO. Currently based in New York City, Ian is on faculty at the Nightingale-Bamford School, is a performer with the Story Pirates, and is the music director of “AHRC on Broadway,” a musical theater program for adults with intellectual disabilities. He holds a degree in music from Yale University, and is a former Whiffenpoof. www.musicianmiller.com

Clint Sharman has performed in dozens of Broadway shows, including most recently A Bronx Tale, Honeymoon in Vegas serving on trombone, euphonium and tuba. Career has included, among many others, performing with Frank Sinatra, Liza Minnelli, Michael Jackson, Bee Gees, and the Boston Pops and Philadelphia Pops Orchestra. Also extensive work in television, jingles, albums and film. 

Wendy Wasserstein was the first woman to win a Tony Award for Best Play for her landmark 1989 drama The Heidi Chronicles, which Two River Theater produced as the second play of its 1994/95 debut season at Monmouth University. The Heidi Chronicles also won the 1989 Pulitzer Prize and Susan Smith Blackburn Prize; the New York Drama Critics Circle, Drama Desk, and Outer Critics Circle Awards; and earned a grant from The Kennedy Center Fund for New American Plays. For The Sisters Rosensweig she received the 1993 Outer Critics Circle Award, a Tony Award nomination, and the William Inge Award for Distinguished Achievement in American Theatre. Her other plays include Uncommon Women and Others, Isn’t It Romantic, An American Daughter and Old Money;  a musical, Miami (with Jack Feldman and Bruce Sussman); and Waiting for Philip Glass, which was included in The Acting Company’s Love’s Fire. Third was produced at Lincoln Center Theater in the fall of 2005, just months before her untimely death on January 30, 2006 at the age of 55, after a bout with lymphoma. Her screenplays include The Object of My Affection, which starred Jennifer Aniston and Paul Rudd. For PBS Great Performances she wrote Kiss, Kiss Darling; Drive, She Said; and adaptations of John Cheever’s The Sorrows of Gin and her own Uncommon Women and Others. She adapted The Heidi Chronicles for TNT (1996 Emmy Award nomination for Best Television Movie) and An American Daughter for Lifetime Television. Her adaptation of The Nutcracker was performed at the American Ballet Theatre at the Met, and her adaptation of The Merry Widow premiered at San Francisco Opera. She was the librettist for the original opera Festival of Regrets: Central Park, which had runs at Glimmerglass Opera and New York City Opera. Wasserstein wrote Pamela’s First Musical, a children’s book, which she adapted with Cy Coleman into a musical that premiered in 2006. Her other books include the essay collections Shiksa Goddess and Bachelor Girls, and a novel, Elements of Style. She contributed to The New Yorker, The New York Times, New York Woman, and Harper’s Bazaar, among many other publications. She was the recipient of an NEA Grant, Guggenheim Fellowship, and a Fellowship at the American Academy in Rome. She served on the Council of the Dramatists Guild; taught at Columbia University, New York University, Juilliard School, and Princeton University; and held an Honorary Doctorate from Mount Holyoke College. Wasserstein was born in Brooklyn and raised in Manhattan. She was a graduate of Mount Holyoke College and the Yale School of Drama.

Christopher Durang graduated from Harvard and Yale School of Drama. His plays include A History of the American Film (Tony® nomination); The Actor’s Nightmare; Sister Mary Ignatius Explains It All For You (Obie Award); Beyond Therapy; Baby with the Bathwater; The Marriage of Bette and Boo (Obie Award, Dramatists Guild Hull Warriner Award); Laughing Wild; Durang/Durang (an evening of six plays); Betty’s Summer Vacation (Obie Award); Mrs. Bob Cratchit’s Wild Christmas Binge; Adrift in Macao, Book and Lyrics by Durang, Music by Peter Melnick; and Why Torture Is Wrong, and the People Who Love Them. Miss Witherspoon was a double premiere at McCarter and Playwrights Horizons (2005, finalist for the Pulitzer Prize); McCarter and Lincoln Center Theater jointly produced Vanya and Sonia and Masha and Spike, winning the 2013 Tony Award® for Best Play, and five other awards. His latest play is Turning Off the Morning News, a commission from Emily Mann at the McCarter Theatre. http://www.christopherdurang.com

Cy Coleman (1929-2004) was born in New York City. A child prodigy, he gave piano recitals between the ages of six and nine, and trained in piano composition and orchestration at New York City’s High School for the Performing Arts and NY College of Music. Despite early success in the classical and jazz genres, Coleman decided to build a career in popular music. He collaborated with Joe A McCarthy on the classics Why Try to Change Me Now, The Riviera and I’m Going to Laugh You Right Out of My Life. Coleman’s most successful early partnership was with Carolyn Leigh. The pair wrote many pop hits including Witchcraft, made famous by Frank Sinatra, and The Best Is Yet to Come. Coleman’s winning streak as a Broadway composer began when the team of Coleman/Leigh collaborated on the musical Wildcat (1960), which marked the Broadway debut of comedienne Lucille Ball, followed by Little Me, with book by Neil Simon. In 1964, Coleman began collaborating with Dorothy Fields. Their first project was the Broadway smash Sweet Charity, again with book by Neil Simon, featuring the showstoppers Big Spender and If My Friends Could See Me Now. The pair then worked on the 1973 Broadway show Seesaw before their partnership was cut short by Fields’ death in 1974. Coleman remained prolific throughout the 1970s and 1980s composing the score for I Love My Wife (1977), with lyrics by Michael Stewart, and On the Twentieth Century (1978), with Betty Comden and Adolph Green. In 1980, Coleman served as producer and composer for Barnum, introducing theatergoers to Jim Dale and Glenn Close. He also collaborated on Welcome to the Club (1988), with A.E. Hotchner, and City of Angels (1989), with David Zippel with book by Larry Gelbart. The 1990s brought two more hit Cy Coleman musicals to Broadway: The Will Rogers Follies (1991), again with Comden and Green, and The Life (1997), with lyricist Ira Gasman. Coleman’s film scores include Father Goose, The Art of Love, Garbo Talks and Family Business. His numerous awards include Grammys (three wins, 13 nominations), Tonys (three wins, 11 nominations), Emmys (three wins, five nominations), Oscar (one nomination for Sweet Charity), Songwriters’ Hall of Fame inductee, Johnny Mercer Award (Songwriters’ Hall of Fame) and the Richard Rodgers’ Award for Lifetime Achievement in American Musical Theatre (ASCAP).

David Zippel is a lyricist and director. He has won the Tony Award, two Academy Award nominations, two Grammy nominations and three Golden Globe nominations. He is one of a handful of contemporary lyricists to have achieved success on Broadway, in Hollywood and in the pop music world. Musicals: City of Angels, The Goodbye Girl, The Woman in White, Just So, Princesses, Going Hollywood, Pamela’s First Musical. Films: Disney’s Hercules, Disney’s Mulan, The Swan Princesses, The Wedding Planner. His songs appear on over 25 million CDs and have been sung by: Stevie Wonder, Christina Aguilera, Barbara Cook, Michael Bolton, Ricky Martin, Cleo Laine, Nancy LaMott, Sarah Brightman, Mel Tormé and Barbra Streisand. David worked with Liza Minnelli to write Liza’s at the Palace, which won the 2009 Tony Award and was recorded for PBS. David conceived and directed Princesses at Goodspeed Musicals and The 5th Avenue Theatre. David conceived and directed The Best Is Yet to Come: The Music of Cy Coleman, which premiered at the Rubicon Theatre and for which he won a 2010 “INDY” award for his direction and a 2012 Drama Desk Award for Best Musical Revue. He conceived and directed They’re Playing His Songs: The Music of Marvin Hamlisch. David is one of the lead producers of Gerard Alessandrini’s smash spoof SPAMILTON: An American Parody, currently in London and soon to cross America. A graduate of Harvard Law School, he is delighted not to practice law.

Graciela Daniele has directed on Broadway, at Lincoln Center and The Public Theater, and at regional theaters and has earned 10 Tony Award nominations and six Drama Desk nominations. Her Broadway director/choreographic credits include Chita Rivera: The Dancer’s Life, Annie Get Your Gun, Marie Christine, Once on This Island, Chronicle of a Death Foretold and Dangerous Game. She has musical staged/choreographed such shows as Ragtime (Astaire, Ovation [L.A.], NAACP, and Callaway Awards), The Goodbye Girl, Zorba with Anthony Quinn, The Rink starring Liza Minnelli and Chita Rivera, and The Mystery of Edwin Drood. She choreographed the New York Shakespeare Festival production of The Pirates of Penzance on Broadway, Los Angeles and London, the motion picture of Pirates, and three Woody Allen films including Mighty Aphrodite, for which she won the 1996 Fosse Award, and Everyone Say I Love You, for which she won the 1997 Fosse Award. Ms. Daniele directed and choreographed A New Brain, which enjoyed an extended run in the summer of 1998 at Lincoln Center Theater. She is a recipient of the 1998 “Mr. Abbot” Award for Outstanding Achievement by a Director/Choreographer. Ms. Daniele directed and choreographed Michael John LaChuisa’s Little Fish (Second Stage) and Bernarda Alba (Lincoln Center Theater) along with the Lincoln Center Theater production of William Finn’s Elegies: A Song Cycle. Most recently, she has choreographed The Visit on Broadway and the world premiere of Sousatzka at the Elgin Theatre in Toronto.

Kevin Stites recently conducted the Grant Park Symphony Orchestra and Chorus (Lerner and Loewe tribute) and an all-star Broadway evening with a 400-voice choir and the New York Chamber Orchestra in Carnegie Hall for Manhattan Concert Productions, and has completed his fourth season as Music Director for the Radio City Christmas Spectacular. He conducted the LA Phil at Walt Disney Concert Hall with Brian Stokes Mitchell, several Symphonic Concerts with Kristin Chenoweth (LA Phil at the Hollywood Bowl), and Do You Hear the People Sing with the Oklahoma City and Hartford Symphony Orchestras. He was Music Director for MCP’S concert presentations of Crazy for You and Titanic (David Geffen Hall) as well as conducting the mono-opera Falling Man by Kenneth Fuchs at the 911 Museum Memorial.  Kevin was Music Director of Grey Gardens with Betty Buckley and Rachel York in Los Angeles. He is Music Director/Pianist for Deborah Voigt’s Voigt Lessons. Guest Conductor: Grant Park Symphony (Sondheim, Bernstein, Gershwin, Loesser, and Porter tributes), Hollywood Bowl’s The Producers, Guys and Dolls, and Les Misérables. Broadway:  On the 20th Century (revival), South Pacific (Lincoln Center Theater), A Tale of Two Cities, The Color Purple (Music Supervision/Incidental Music), Titanic (Original Musical Supervisor/Music Director), Sunset Boulevard, Les Misérables (2006 revival), The Threepenny Opera (Roundabout revival), Fiddler on the Roof (2003), Nine (Revival), Oklahoma! (Nunn/Stroman), On the Town, Nine to Five (Additional Musical Arrangements). Tours: Little House on the Prairie, The Color Purple, Martin Guerre, Miss Saigon, The Phantom of the Opera, Les Misérables, Titanic. Film/Television: Rosie Live!, Reefer Madness, Letterman, Rosie, several Tony Awards telecasts, two Il Volo specials for PBS. Future projects include:  Broadway revival of Crazy for You, Maltby and Shire’s Take Flight, and the further development of Austin’s Pride. He earned his Bachelor and Master’s Degrees in Music from the University of Illinois, Urbana-Champaign, and studied under the tutelage of Professor Kenneth Drake and Professor Emeritus John Wustman. He was awarded the Creative and Performing Arts Fellowship in 1979/80.

Gregory J. Dlugos has, since moving to NYC, worked as Music Director, Conductor, Associate Conductor, Pianist, Composer, Arranger and Orchestrator for many Broadway Shows and Tours, and at the Goodspeed Opera House in East Haddam, CT. Throughout his career he has had the opportunity to work with such personalities as Chita Rivera, Antonio Banderas, Sutton Foster, Andrea Martin, Betty Buckley, Jerome Robbins, Peter Gennaro, Michael Kidd, Hal Prince, Mel Brooks, Kander & Ebb and Pat Benatar. His Broadway credits include Barnum, Phantom of the Opera, Kiss of the Spider Woman, Sunset Boulevard, Chicago, Fosse, Jekyll and Hyde, Nine and Young Frankenstein. Since 2012 Gregory has been Music Supervisor of the Musical Theater Department at Montclair State University where he has conducted numerous productions, most recently, Anything Goes  at the Alexander Kasser Theater. He recently returned from the Shanghai Institute for Visual Arts where he was Music Director for the first Chinese production of A Chorus Line.

Charlie Rosen is a composer, performer, arranger, orchestrator, music director, and producer. Recent Broadway credits include Be More Chill (Music Sup/Orchestrations), Moulin Rouge (Horn Arrangements), Prince of Broadway (Orchestrations), American Psycho (Assoc MD/Keys), The Visit (Guitar/Zither), Honeymoon in Vegas (Orchestrations), Cyrano de Bergerac (Composer), One Man, Two Guvnors (Music Director, Bass), 13 The Musical (Guitars, Bass, Keys), Bloody Bloody Andrew Jackson (Assoc. MD, Bass). Off-Broadway/Regional/Other: Moulin Rouge (Orchestrations), The Colonial Theatre; Bounty Hunter (Orchestrations), Barrington Stage; The Boston Pops (Arranger); A Legendary Romance (MD/Orch.), Williamstown Theatre Festival; Miss You Like Hell (Orchestrations) and misc. Shakespeare in the Park, The Public Theater; Pamela’s First Musical (Orchestrations) and Be More Chill (MD/Orch.), Two River Theater; The Black Suits (MD/Orch.), Center Theatre Group; Unauthorized…Samantha Brown, Goodspeed; Bonfire Night, NYSF; Charlie Rosen’s Broadway Big Band (in residency at 54 Below); Chita Rivera: A Legendary Celebration (Orchestrations), August Wilson. TV/Film: The President Show (Composer), Comedy Central; Maya and Marty (MD/Composer/Arranger), NBC; Best Time Ever w/NPH (Orchestrations and Track Production), NBC; High Maintenance (Addl Music) HBO. ASCAP, Local 802, Equity, Berklee, WME. www.charlierosen.com, @CRosenMusic

David Gallo has designed over 30 Broadway productions, including Memphis, The Drowsy Chaperone (Tony Award: Best Scenic Design), Gem of the Ocean, The Mountaintop, reasons to be pretty, Xanadu, and Thoroughly Modern. For Two River Theater, he designed School for Wives. He creates innovative scenic and media design for television, concerts, and events. He is production designer for Sesame Street, his Blue Man Group work has been seen by millions, he is creative director for Phish’s New Year’s Eve extravaganzas, and the Illusionarium he created for Norwegian Cruise Line was a pioneer in immersive entertainment venues. His work for Stage Entertainment, Disney, DreamWorks, Nickelodeon, and others is seen daily in a dozen cities worldwide. The Smithsonian Institution and the Rock and Roll Hall of Fame both own samples of his work. davidgallo.com

Viveca Gardiner expanded into theatrical set design after decades in the circus industry as a performer, teacher, writer, director, and producer. She has collaborated with David Gallo on multiple productions and live events, and she is the line producer for the Phish New Year’s Eve “gag” that he directs at Madison Square Garden.

Gabriel Berry specializes in collaboration on new work. Notable productions include the world premieres of the works of Maria Irene Fornes, Richard Foreman, Charles Ludlam, Samuel Beckett, Philip Glass, John Guare, Christopher Durang, Mabou Mines, Peter Sellars, John Adams, Tito Puente, Yoshiko Chuma, Lucinda Childs, Ethyl Eichelberger, Nick Jones, Branden Jacobs-Jenkins, Osvaldo Golijov, Meredith Monk, and Ellen Stewart. Awards include Obies, Bessies and a silver medal from the Prague Quadrennial for her contribution to experimental theater. She previously designed Dancing at Lughnasa, Pericles and Absurd Person Singular at Two River Theater.

David Lander Two River Theater: Carry It On written and performed by Maureen McGovern. Broadway: The Heiress with Jessica Chastain and Dan Stevens, The Lyons with Linda Lavin, Master Class with Tyne Daly, Bengal Tiger at the Baghdad Zoo with Robin Williams (Drama Desk Award; Tony and Outer Critics nominations), 33 Variations with Jane Fonda (Tony and Outer Critics nominations), I Am My Own Wife (Drama Desk and Outer Critics nominations) among others. Off-Bway: Atlantic Theatre, The Public Theater, MTC, Roundabout Theatre, Signature Theatre, The Vineyard Theatre among others. Regional: Arena Stage, Goodman Theatre, The Guthrie Theater, Hartford Stage, Huntington Theatre, The Kennedy Center, Mark Taper Forum, among others. International Theatre and Opera: Dublin, Delhi, London, Melbourne, Mumbai, Singapore, Sydney, Tokyo among others.

Drew Levy (he/him) (Sound Design) Broadway: A Strange Loop (Tony nom.), Oklahoma! (Tony nom., Drama Desk nom.), Honeymoon in Vegas (Drama Desk nom.), Chaplin (Drama Desk Award), The Winslow Boy, The Importance of Being Earnest, Present Laughter. West End: A Strange Loop, Oklahoma! (Olivier nom.). Off-Broadway: Judgment Day (Park Avenue Armory), Oklahoma! (St. Ann’s), Cleopatra, One Day the Musical, The Weir, Why Torture is Wrong…, Emergence-See!, Rainbow Kiss, Dutchman (AUDELCO Viv nom.). Regional: The Old Globe, Heartbreak Hotel (Chicago), ART, Williamstown, Huntington, Westport Country Playhouse, Two River Theater, McCarter Theater, Arena Stage, Long Wharf. Other: Reconfiguration: An Evening with Other Lives at BAM; Drama Desk Awards 2014 & 2015; Metropolitan Opera 125th Anniversary Gala; annual holiday installations for Saks 5th Avenue, Cartier, and others.

Tom Watson is head of the wig and makeup department at the Metropolitan Opera. He has designed wigs for more than 55 Broadway productions. Current and recent Broadway designs include Annie, The Big Knife, The Assembled Parties, An Enemy of the People, Picnic, A Christmas Story, Harvey, Million Dollar Quartet, Rock of Ages, Wicked, How to Succeed…, The Addams Family, Promises, Promises, South Pacific, Sondheim on Sondheim, A View from the Bridge, and Sunday in the Park with George.

Tara Rubin Casting Selected Broadway: King Kong (upcoming), Summer: The Donna Summer Musical, The Band’s Visit, Prince of Broadway, Indecent, Bandstand, Sunset Boulevard, Miss Saigon, Dear Evan Hansen, A Bronx Tale, Cats, Falsettos, Disaster!, School of Rock, Les Misérables, The Heiress, The Phantom of the Opera, Billy Elliot, Shrek, Spamalot, …Spelling Bee, The Producers, Mamma Mia!, Jersey Boys. Off-Broadway: Smokey Joe’s Café; Jersey Boys; Here Lies Love; Love, Loss, and What I Wore  Selected Regional: Berkeley Repertory Theatre, Yale Repertory Theatre, La Jolla Playhouse, The Old Globe, Asolo Rep. www.tararubincasting.com

Madeleine Kelly, born in Rhode Island, has performed as a dancer on Broadway, television, and feature films. Her Choreography and Associate Choreographer credits include The Radio City Christmas Spectacular in Mexico City, Winter Olympics in Salt Lake City, My Favorite Broadway with Julie Andrews, numerous shows for Lincoln Center, Broadway’s Taboo, Pal Joey, Chita Rivera: A Dancer’s Life, The Visit. Recent credits include Sousatzka in Toronto staring Victoria Clark, Montego Glover and Judy Kaye, and Chita & Tune: Just in Time with Chita Rivera and Tommy Tune.

James Steele is thrilled to be working at Two River Theater on this fantastic production. Broadway: Mrs. Warren’s Profession (Roundabout); One Man, Two Guvnors. Tour: Small Mouth Sounds. Off-Broadway: Small Mouth Sounds (Signature), By the Water (MTC), Pageant (SAS), Tail! Spin!, …The Great Comet of 1812 (Ars Nova/Kazino), My Name Is Asher Lev (Westside Theatre), An Iliad (NYTW), The Tribute Artist (Primary Stages), The Divine Sister (DRTM). Thanks to Grazie, Maddie, Lori, Jackie and Joaquin, love to Mom and Gram.

Lori M. Doyle is stage managing her first production with Two River Theater, and she’s pleased and honored to be a part of this company. She comes directly to Red Bank from the Contemporary American Theater Festival, where she helmed the Marinoff Theater and two new plays performing in Rep. Other 2018 credits include Skeleton Crew at Baltimore Center Stage. Broadway: The Visit, You Can’t Take It With You, The Mystery of Edwin Drood (revival), Fela!, Jane Eyre: The Musical, 1776, Say Goodnight Gracie, and 11 Mainstage productions and numerous Gala events for Roundabout Theatre Company. Regional: 10 summer seasons (two plays in rep each season) at Contemporary American Theater Festival, multiple productions at Baltimore’s Center Stage, La Jolla Playhouse, Westport Country Playhouse, Huntington Theatre Company, and Actors Theatre of Louisville. Off-Broadway: 2econd Stage Theatre Company, RTC @ The Laura Pels, New York Shakespeare Festival, Lamb’s Theatre Company, Circle Rep, and American Jewish Theatre. Additional: 82+ corporate and special events with 32 different production companies.