Broadway: Never Gonna Dance (Book). Off-Broadway: Three Viewings and A Picasso at Manhattan Theatre Club; Scotland Road and The Turn of the Screw at Primary Stages; Tuesdays with Morrie (with Mitch Albom) at The Minetta Lane; Murder By Poe, The Turn of the Screw and The Spy at The Acting Company; Neddy at American Place; and Fellow Travelers at Manhattan Punchline.

Other Plays/Theaters: Compleat Female Stage Beauty, Mrs. Mannerly, Murderers, Mercy of a Storm, Smash, Armadale, Korczak’s Children, To Fool the Eye, The Falls, A Piece of the Rope, All the Way with LBJ, The Government Inspector, Dr. Jekyll and Mr. Hyde and others at The Guthrie, Old Globe, Yale Rep, The Geffen, Seattle Rep, Cincinnati Playhouse, Cleveland Playhouse, South Coast Rep, Arizona Theater Company, San Jose Rep, The Empty Space, Indiana Rep, Children’s Theater Company, History Theater, Madison Rep, Intiman, Illusion, Denver Center, Oregon Shakespeare Festival, Alabama Shakespeare Festival, Milwaukee Rep, Repertory Theater of St. Louis, Actors Theater of Louisville, Philadelphia Theater Company, Asolo, City Theater, Studio Arena and dozens more in the U.S. and abroad.

Film/ TV: Stage Beauty, Casanova, The Duchess, and episodes of Columbo. Grants/Awards: NEA, TCG, Lila Wallace Fund, Rosenthal New Play Prize, Frankel Award, Charles MacArthur Fellowship Award, McKnight Foundation, Jerome Foundation and Barrymore Award Best New Play. He is a member and/or alumnus of The Playwrights Center, the Dramatists Guild, the Writers Guild and New Dramatists.

Jenn Thompson (Director) is a NYC-based, Drama Desk-nominated director whose work has been seen in NYC and at theaters across the country including Chicago Shakespeare Theatre, The Denver Center, Hartford Stage, Goodspeed Musicals, St. Louis Rep, Arizona Theatre Company, Hudson Valley Shakespeare Festival, CTC, City Theatre, Portland Stage Company, Pioneer Theatre Company, Barrington Stage, Hartford TheatreWorks, Theatre Aspen, and Dorset Theatre Festival, among others. Recent productions include the current National Tour of Annie as well as the critically acclaimed Off-Broadway productions of Chains, Conflict, and Women Without Men (The Mint Theatre Company), which garnered Lortel and Off-Broadway Alliance Award nominations for Outstanding Revival as well as five Drama Desk Award nominations including Outstanding Director and Revival. NYC credits include work at Rattlestick, Barrow Group, The York Theatre Company, Abingdon, MCC, NAMT, NYMF, Primary Stages, and FringeNYC, as well as serving as Co-Artistic Director of Off-Broadway’s TACT/The Actors Company Theatre, where her directing credits for the company earned a Drama Desk nomination for her revised revival of Neil Simon’s Lost in Yonkers as well as an Off-Broadway Alliance Award for her production of Beth Henley’s play Abundance. She is married to actor Stephen Kunken. They live in Brooklyn and Connecticut with their daughter, Naomi. jennthompsondirector.com

Wilson Chin (Scenic Designer) Designs on Broadway include Cost of Living (Pulitzer Prize winner), Pass Over(Drama Desk, Lortel and Henry Hewes Award nominations) and Next Fall. Off-Broadway designs include Jonah (Roundabout Theatre Company), Sumo (Public Theater/Ma-Yi Theatre), Nina (TheatreLab), A Bright New Boise and Sunset Baby (Signature Theatre), The Animal Kingdom (Connelly Theatre), The Thanksgiving Play (Playwrights Horizons) and Space Dogs (MCC, Lortel Award nomination). Wilson also designed the current international tour of Annie, which played in Madison Square Garden starring Whoopi Goldberg. Regional credits include The Untitled Unauthorized Hunter S. Thompson Musical (La JollaPlayhouse and Signature Theatre), Anne of Green Gables and Summer Stock (Goodspeed Musicals) and Blue Man Group (Orlando). Opera credits includeTurandot (Washington National Opera), Lucia di Lammermoor (Lyric Opera of Chicago) and Eine Florentinische Tragödie/Gianni Schicchi (Canadian Opera,Dora Award winner). Wilson is a proud Eastern Region Board member of Local USA 829. Instagram: @wilsonchindesign Associate set designer: Lily Tomasic

Jess Goldstein (Costume Designer) previously designed The Ballad of Little Jo at Two River Theater. New York credits include Jersey Boys, Disney’s Newsies, On the Town, The Rivals (2005 Tony Award), The Merchant of Venice with Al Pacino (Tony nomination), Plenty with Rachel Weisz, Henry IV with Kevin Kline (Tony nomination), Proof, Julius Caesar with Denzel Washington, Love! Valour! Compassion!, Take Me Out, Tintypes, The Most Happy Fella, Buried Child, How I Learned to Drive, Stuff Happens, Dinner with Friends and The Mineola Twins (Lortel and Hewes Awards). His opera designs include Il Trittico for the Metropolitan Opera, Dead Man Walking for New York City Opera, and Two Women and Heart of a Soldier, two recent world premieres, for San Francisco Opera. Jess has also designed for film and television, most notably A Walk on the Moon directed by Tony Goldwyn, The Substance of Fire with Sarah Jessica Parker and Talking With and Far East for PBS’ Great Performances. He is the 2015 recipient of the Irene Sharaff Lifetime Achievement Award and is a graduate of the Yale School of Drama, where he has been a Professor in the design department since 1990. He is the recipient of the 2015 Irene Sharaff Lifetime Achievement Award and is a graduate of the Yale School of Drama where he also taught from 1990 to 2019. http://www.jess-goldstein.com 

Philip Rosenberg previously designed My Wonderful Dayat Two River Theater. Off Broadway credits include Cactus Flower. Regional credits include: Kennedy Center, La Jolla Playhouse, Ford’s Theatre, The Guthrie Theater, The Old Globe, TheatreWorks, Hartford Stage, Huntington Theatre Company, Chicago Shakespeare Theatre, Shakespeare Theatre Company, Manhattan School of Music, Portland Stage Company, TACT, Barrington Stage Company, Williamstown Theatre Festival, Dorset Theatre Festival, Bay Street Theatre, Shakespeare Theatre Company, George Street Playhouse, and Westport Country Playhouse. Over the past 12 years Philip has served as associate lighting designer on over 35 Broadway plays and musicals.

Jane Shaw previously designed El Coquí Espectacular and the Bottle of Doom, The Women of Padilla, Lives of Reason, Guadalupe in the Guest Room and Pinkolandia at Two River Theater. New York credits include I Was Most Alive with You (Playwrights Horizons); Actually (MTC, Williamstown Theatre Festival); Measure for Measure (Theatre for a New Audience); Ironbound (Rattlestick/Women’s Project); En el tiempo de las Mariposas (Repertorio Español) and 30 productions with the Mint. Regional credits include The Royale  (Cleveland Play House); Caroline, or Change (Tantrum Theater); Rear Window, Breath and Imagination (Hartford Stage); They Promised Her the Moon (Old Globe) and productions at Cincinnati Playhouse in the Park, Mark Taper Forum, ACT, and with the Shakespeare Theatre Company. Next: Annie Get Your Gun at Bay Street, Into the Breeches at Cleveland Play House. Recognition: Bessie Award, Henry Award, Drama Desk, Premios ACE 2012, two Connecticut Critics Circle Awards, Meet the Composer grant, Theatre Communications Group’s Career Development Program, and nominations for three Lortels, Henry Hewes and Elliot Norton Awards. She was born in Kansas and lives in Brooklyn.

Jared Janas (Wig, Hair, and Makeup Co-Design) Broadway: Our Town, Once Upon a Mattress, Mary Jane,Prayer for the French Republic, Purlie Victorious, Good Night, Oscar, Sweeney Todd…, Ohio State Murders, & Juliet, Kimberly Akimbo, Topdog/Underdog, How I Learned to Drive, American Buffalo, Jagged Little Pill, Frankie and Johnny in the Claire de Lune, Gettin’ the Band Back Together, Bandstand, Indecent, Sunset Boulevard, The Visit, The Real Thing, Lady Day at Emerson’s Bar & Grill, Motown, Peter and the Starcatcher, The Gershwins’ Porgy and Bess, All about Me. Recent Off Broadway: Sally & Tom (Drama Desk Nomination), Dead Outlaw, Sunset Baby, Jelly’s Last Jam, Yours Unfaithfully (Drama Desk Nomination). Instagram: JJJanas_

Sarah Norton (Wig, Hair, and Makeup Co-Design) is a New York City-based wig artist specializing in wig design and building. She has had a hand in over a dozen Broadway productions as a wig builder, supervisor, associate designer, and/or swing. Prior to living in New York City, she was the assistant designer for The Dallas Opera and Opera Tampa. Instagram: @sarahnortonwigs

AMY STOLLER (Dialect Design) has provided dialect design and/or dramaturgy for over 40 productions at Off-Broadway’s award-winning Mint Theater Company, including Garside’s Career (now playing), and, with director Jenn Thompson, Women Without Men, Conflict, and Chains. Other current/recent theatre: When Gold Turns Black (Theater for the New City); Camino Real (La Femme). With/by Anna Deavere Smith: Let Me Down Easy and Notes from the Field (stage and screen); Love All; Twilight; Fires, others. Amy’s film & television credits include Zola (Colman Domingo as X), Selma (Carmen Ejogo as Coretta Scott King), and “Dora the Explorer.” Podcast: “The Saints: Adventures of Faith and Courage.” She is a recipient of the League of Professional Theatre Women Ruth Morley Design Award for Outstanding Work in the Field of Theatrical Design. www.stollersystem.com.

ALISON COTE (Production Stage Manager) is a freelance stage manager based in Princeton, New Jersey. She has stage managed atMcCarter Theatre for 26 seasons, including over 20 world premieres collaborating with playwrights Athol Fugard, Christopher Durang, Edward Albee, among others. Recent productions include Empire Records: The Musical, Choice (by Winnie Holzman), Ride the Cyclone and Dreaming Zenzile. New York credits include Playwrights Horizons, Second Stage and The Public Theatre. Other regional credits: The Old Globe, Spoleto USA, The Repertory Theatre of St. Louis, Berkeley Rep, Arena Stage, Shakespeare Theatre Company DC, Goodman Theatre, Long Wharf, Paper Mill, Center Theatre Group, Santa Cruz Shakespeare, Pittsburgh Public, George Street Playhouse and over 25 productions with the Shakespeare Theatre of New Jersey. Abroad, Alison was stage manager for An Iliad (by Denis O’Hare and Lisa Peterson) at the Sibiu International Theatre Festival in Romania.

Abigail Medrano (Assistant Stage Manager)

UNKLEDAVE’S FIGHT HOUSE (FIGHT DIRECTION) is a team of fight/
intimacy coordinators comprised of LGBTQ theater makers. Two River credits: Hombres; El
Coqui Espectacular & The Bottle of Doom; Theo; Raisin In The Sun, Be More Chill; Seven
Guitars, King Hedley ll. Broadway: Ain’t No Mo; Kimberly Akimbo; Girl From The North Country;
Tuck Everlasting; Escape To Margaritaville; The Great Society ; An American In Paris; Disgraced.
Off-Broadway: Merrily We Roll Along (NYTW) ; On Sugarland (NYTW) ; soft (MCC) ; Halfway
Bitches Go Straight To Heaven (Labyrinth/Atlantic, Drama Desk Nom.); Oedipus El Rey (The
Public)(Drama Desk Nom.) Film: Poor Behavior; Emoticon. TV: AnnieLive!