Jazz Arts Project Presents Jazz Week on the Plaza
Summer Jazz Café nights are back! Join us for a long weekend of world-class jazz on the plaza hosted and curated by Jazz Arts Project. Enjoy four different performances on the newly renovated outdoor Plaza. Each evening will run about 75 minutes and feature live music.
Thursday, July 8: Stealing hearts with her rakishly glamorous charm, Champian Fulton kicks off this weekend series of world class jazz.
Friday, July 9: Vocalist Charenee Wade brings her seriously swinging groove to the plaza evoking a refreshing yet classic jazz sound akin to Betty Carter and Sarah Vaughan.
Saturday, July 10: “The two and only” — Aaron Weinstein and Matt Munisteri — bring a masterful yet ironic sense of jazz from two masterful musicians who may have been born in the wrong era.
Sunday, July 11: Warren Vaché is known as one of the swinginist jazz musicians out there today. He’s a veteran performer with collaborators spanning six decades and includes everyone who’s anyone (in jazz).
MEET THE ARTISTS
Champain Fulton: A mainstay on the vibrant New York jazz scene and a globetrotting chanteuse, Champian has performed with musical royalty such as Lou Donaldson, Frank Wess, Scott Hamilton, Buster Williams, and Louis Hayes. From New York to Barcelona, Champian’s swinging style and charismatic performances have made her a guardian of the legacy of Jazz. Champian’s heroes include Bud Powell, Red Garland, Erroll Garner, Count Basie, Sarah Vaughan, and Dinah Washington. Jazz education is a concern near and dear to Champian’s heart, having been inspired by Clark Terry’s tireless advocacy for the perpetuation of the craft. Learn more about Champian Fulton here.
Matt Munisteri: As the sparkling guitarist on several chart-topping jazz CDs; a critically lauded songwriter and nimble lyricist; an urban banjo-warrior and a sometime session musician; a selfless and devoted sideman; a wry-yet-honest singer; an engaging and winning front-man; and an arranger whose ear-pulling re-inventions of well-traveled songs have contributed to Grammy winning CDs for artists such as Loudon Wainwright and Catherine Russell, Matt’s various dueling career paths might at first seem difficult to reconcile. Additionally you’d be hard-pressed to find another Brooklyn native who grew up playing bluegrass banjo since he was in the single digits; who has recorded with artists as divergent as consummate jazz balladeer “Little” Jimmy Scott and 1980’s avante-noise godfather Glenn Branca; who is regarded as a contemporary master of 1920’s and ’30’s jazz styles, and is an ardent student of American folk traditions, but counts among his regular creative cohorts several musicians associated with the New York Downtown music world. Yet ultimately Matt’s journey through 20th century American music yields a vision which feels intrinsically whole, with his own music always serving as one-of-a-kind reflection of a life immersed in all the far-flung variants of American Popular Song. Learn more about Matt Munisteri here.
Warren Vaché is a supremely accomplished, versatile and rare performer who delights and astounds audiences all over the globe with his superb cornet, trumpet, and flugelhorn stylings. Through live performances and recordings, along with stage, screen, radio and television appearances, Warren conveys incredible warmth through his burnished tone and intelligent improvisations.
He is a true jazz veteran, highly respected in the industry and has performed and recorded with anybody who is anybody and then some, including such luminaries as: Benny Goodman, Rosemary Clooney, Benny Carter, Hank Jones, Gerry Mulligan, Woody Herman, Ruby Braff and Bobby Short to name but a few. In Vaché, jazz has found a creator whose prodigious, hard-earned skills enable him to craft swinging performances of beauty, emotion and surprise. Over the years Warren has been a frequent performer at our own Jazz Arts Project concerts and events. Learn more about Warren Vaché here.
Charenee Wade is not one to hold back or let fear stand in her way. The first artist ever to enter two Thelonious Monk Vocal competitions, she walked away from the second one in 2010 with instant buzz and second place to her new friend Cecilé McLorin Salvant. Now is the time for Wade’s star to rise. Known for expert vocal improvisational ability and her seriously swinging groove, Wade evokes a classic jazz sound akin to Betty Carter and Sarah Vaughan, two of her musical touchstones. With her Motéma debut, Offering: The Music of Gil Scott-Heron and Brian Jackson (June 23), she pays tribute to another inspiration, the socially conscious poet and musician Gil Scott-Heron, and confirms that she too plans to use her artist platform thoughtfully.
A singer, composer, arranger and educator, Wade is a professor at the Aaron Copland School at Queens College and was just recently appointed to Peabody Institute. Following the Monk competition in 2010, she self-released Love Walked In, which earned her the NPR Song Travels feature. With Offering, Wade continues walking in love and using her art to raise our consciousness. Learn more about Charenee Wade here.
Aaron Weinstein: Called “the Groucho of the violin” by Tony Bennett and “a perfect musician” by jazz guitar legend, Bucky Pizzarelli, Aaron Weinstein “is rapidly establishing himself as one of his instrument’s rare jazz masters.” (Don Heckman, International Review of Music). As a featured soloist, Aaron has performed at Carnegie Hall, the Kennedy Center, Jazz at Lincoln Center, Birdland, Blue Note, and abroad at jazz festivals in England, France, Switzerland, Iceland, and Israel. Aaron has performed and recorded with an array of jazz icons including: Les Paul, Bucky Pizzarelli, John Pizzarelli, Dick Hyman, Dave Frishberg, Jon Hendricks and Annie Ross as well as musicians as varied as New York Pops conductor, Skitch Henderson and rock guitarist, Jay Geils. He has written arrangements for vocalists including Christine Ebersole, Linda Lavin, and the Manhattan Transfer’s Janis Siegel. Additionally, Aaron is a respected mandolinist, widely regarded as one of the instrument’s leading exponents in the jazz idiom. Learn more about Aaron Weinstein here.
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